My Year In Live Music 2018, Act IV: Thomas Bailey

When I buy a concert ticket, I usually a fan of the headliner.  I consider the investment in a ticket something that requires a bit of consideration, given the price of current concert tickets, it must be considered an investment. Recently, I bought tickets to a show because the three acts performed 80s era music. Each of the three had songs that I really enjoyed and that I looked forward to hearing performed live.

Due to various issues, I have not attended as many shows this summer as I did last year. So, when I bought tickets for the show, I splurged and bought really good seats – – even though I was stuck playing the seat roulette game of the Ticketmaster monopoly process. With tickets in hand, I set off hopeful for a show that would be both memorable and full of memories.  

The first act of the evening, was Tom Bailey, formerly of the Thompson Twins. Of the many bands that I listen to in the 80s, the Thompson Twins seemed to be omnipresent. When I was researching songs to use for my concert prep playlist, I discovered they performed a lot of songs that I loved. That made Tom’s appearance more anticipated.

Tom’s current band lineup features a trio of dynamite backing musicians. I was surprised when they walked on stage, and I saw an all-female band was backing him.  Being a big fan of Joan Jett, Nina Strauss, and Ann Wilson, I can appreciate talent regardless of gender. But this was the first band I had seen where the male was the solitary minority as opposed to the other way around. Another surprise was that they were all wearing white outfits which gave them a more formal and cohesive look.  Aside from the Temptations, it has been a while since I saw a band have that level of disciplined professionalism.

But I was there for the music, and the performers did not disappoint. Tom deftly moved from one instrument to another back and forth across the stage as the band treated us to a blend of both old songs and new songs from his recently released album. 

Vicky Warkwick provided solid basslines for each song, and if you're familiar with Thompson Twins music that bass is essential to drive the music forward. She also played keyboards from time to time which added to the fullness of the music when one keyboard simply wasn't enough.   

In almost every concert I find myself concentrating on the motions, or antics of one musician in the band. For this act, it was Amanda Kramer who provided background vocals and keyboards. She was fully engaged and having a great time. She had a wonderful smile and invited the audience to join her in clapping along or raising their arms in the air. I always love it when I find that one musician who seems like they are having the best night of their life.  It looked to me like she was. Aside from the spirit she brought to the music, her playing and singing were on point. 

Paulina Szczepaniak kept the rhythm flowing with her work on the drums. I hated the way the stage layout hid her behind other equipment and prevented me from seeing her perform, but the sound of her expert drumming drove the entire performance forward.

As I mentioned, the performance was a blend of both old and new songs. The newer songs came from the album Science Fiction which Tom had recently released. When I go to concerts to hear the older music, I dread it when an artist tries to re-imagine their hits or tries to introduce a new album that lacks the power and vitality of their original music. Tom Bailey broke that paradigm.

While his Science Fiction album has a similar style and feel as his earlier music, it is not a copy or an attempt to recapture the older style. Instead, he somehow manages to allow the original spirit to flow through the new work without it being a copy or cheap duplication.  Yes, it is the first time that I have ever picked up a freshly released album on my way out of the concert venue.

There were two other acts that night, but in my mind, both of them failed to capture the way they were then or the way they should be now. I have been disappointed by concerts in the past, and I've reviewed them here. I'm not doing it this time, because the entire night was not a loss and I would rather concentrate on the good time and enjoyment of Tom Bailey's music over those who failed.  

If the Thompson Twin's Tom Bailey is coming to a venue near you, buy tickets, and go --  Enjoy it for all it is worth. Likewise, any band that includes Vicky Warkwick, Amanda Kramer or Paulina Szczepaniak  Is likely worth seeing – – (Amanda also plays with the Psychedelic Furs).

Long live 80s Rock!

167,732

Bang a Gong and Watch Some Stuff

Chuck Barris -- The Gong Master

Back in the late 70s, if you were lucky enough to be home from school sick or on a holiday, you might have been lucky enough to see a master craftsman at work.  On June 14, 1976, Chuck Barris stepped in front of the camera-- Almost Live --as the host of The Gong Show.  Until then he had been a behind the scenes game show creator, one hit song composer (Palisades Park) and possibly trained CIA assassin.  But on that day, Johnny Jacobs announced Chuck as the show’s host and he walked on stage into a role he was born for: Ringmaster of strange and unusual talent.  

The show was on around noonish, but kept getting moved around.  Since this was before VCR/DVR time-shifting, if you did not catch it when it showed live, you did not see it.  I happened into it by chance, home with strep throat and flipping the channels looking for a Gilligan’s Island rerun, or anything besides a soap opera. The show was billed as a game show, but it was indeed a throwback to a burlesque performance.

In addition to Chuck as host, the show featured three celebrity judges, Milton DeLugg and his Band with the Thug, the acts - some decent, some not so decent, some just plain weird.  The basic concept was, the performer had two minutes to impress the judges, and if they failed to do so, after 30 seconds any one of the three judges could bang the gong and immediately terminate the performance.  If they survived the two minutes, the judges gave them a score between one and ten. Winner for the day got a check for $516.32.  Righteous bucks in the 70s for a two-minute act by an unknown.

Rumor had it Chuck was tremendously anxious about appearing on camera and one of the ways he would deal with it was to clap his hands at the end of every sentence. Pretty soon, the audience picked up on it and was copying his claps. He also wore a variety of hats which he pulled down in front over his eyes so he couldn’t even see what was going on. It was also rumored he was drunk or stoned, but he later denied it and said both booze and drugs or forbidden on stage.  One thing was sure, he was having fun, and he was enjoying each act for all it was worth.  His exuberance was contagious and fun to watch.

The acts were—well as bizarre as the show. What other show featured a guy who juggled ping-pong balls by putting them in his mouth and blowing them skyward only to catch them again? Or a woman who spun plates on sticks? A girl who stuffed 30 marshmallows into her mouth? How about a trained hamster? Not to mentions more sane acts like a guy who burped songs, a contortionist and even a few folks who later made it big (Pee Wee Herman, Andrea McArdle, and Cheryl Lynn).  The acts on the show were something between the Ed Sullivan Show and carnival midway, but that’s what made the show the crazed insanity it was and fun to watch.

My favorite judge was Jaye P. Morgan.  She was the first female comedian I ever saw to not only talk in double entendre but also make herself the subject of sleazy jokes. Until then, I had seen men do it but had never seen a woman who took the step. She did, and it was hilarious. Unlike most of the judges, who I had seen on other TV shows or on Laugh-In reruns, I had never heard of or seen Morgan before the show or after. 

Just like a burlesque show, there were running gags.  My favorite two were Gene Gene the Dancing Machine and The Unknown Comic. Gene’s appearance would cause the entire show to stop until he finished his dance, of course, Chuck would also dance while the music was playing. Later, they started throwing balls and other items on stage while Jean was dancing.  The Unknown Comic appeared wearing a grocery bag over his head and would tell jokes which were usually at Chuck’s expense. I recall a rather in-depth and spirited conversation with friends about the Unknown Comic identity. I found out it wasn’t Dan Aykroyd but a comedian named Murray Langston (sorry, Tom).

There were also many memorable events which occurred on the show which are now urban legend. I was fortunate to see some of these when broadcast. One entire show featured nothing but people singing the song Feelings – – badly.  Have You Got a Nickel aka The Popsicle Twins featured two girls dressed in shorts, who took a seat on stage and then suggestively ate popsicles. I missed the one where Jaye P. Morgan, in the middle of Gene Gene’s dancing, opened her shirt toward the cameras but I heard about it. 

Thanks to the Internet, a lot of these memorable moments are out there to still be enjoyed, even if they are a little blurry.

During the show’s run, many local communities held their own version of the show. When Ft. Eustis held their version, I had to enter, I had an act sure to get Gonged. My act was to play and sing an original Eddie Cochransque song about love, loss, and undergarments -- She Stole My Underwear. I had only written a chorus and 1.5 verses -- but it was OK because I was going to get gonged.  When I walked on stage and started to perform the song, I was shocked and disappointed to not hear the Gong.  So, I improvised a third verse on the fly and won 2nd place.

My costume? Boxers, t-shirt, combat boots, a silver fox fur pimp hat and a pair of mirrored shades Not sure why I had all that stuff, maybe I knew the need would eventually arise.

Never understood why I was not gonged – the judges must have felt empathy for a poor guy who was heartbroken over having his favorite pair of underwear stolen. I was a strange kid in High School, luckily, I never grew out of it.

On July 21, 1978, the first incarnation of the show came to an end, and during the episode, Chuck Barris sang Take This Job and Shove It.  The Gong Show went on for another two years in syndication before it completely vanished.

As I write this, I have just viewed a few episodes of what is now being billed as The Gong Show, and it is closer to what it was than any other incarnation to have appeared between the original and now. The show is hosted by British personality Tommy Maitland (an uncredited Mike Myers).  None of the acts have risen to the level of absurdity or risqué of the original, but if we give it a few months, it’ll get there.  While Tommy wears many hats during his performance, he has yet to clap his hands together or use any of Chuck’s catchphrases. I think it is an even more sincere form of flattery than if Tommy had imitated Chuck. A show of respect.

I have many good memories of watching Chuck Barris, doing his weird little dances – – clapping his hands – – and wondering what new hat he might be wearing today as he pointed into the camera and promised us he would be back with more STUFF.

164,704

Learnt As Bestest Could Be

One of the most oft-heard phrases of my adult life has been "Well, I still haven't used the insert subject here I learned in school for daily life." To a certain point, I agree. I do use algebra when I'm coding and also in and trying to figure out a calculation where I'm unsure of one of the numbers. But mostly, I don't use it to any significant degree. Paul Simon spoke the truth: "all the crap I learned in High School."

There are numerous things I learned in school I don't use in daily life. Some have been taken over by today's technology like how to calculate my taxes manually, and other things would only be necessary if I were in a particular line work, like using an architect's conversion ruler. I really don't think specific lessons where the point of school, but beyond reading, writing, and basic math the purpose was to teach you how to learn for the day when you got to college or trade school.

I admit when I graduated high school the one thing I was reasonably sure I would never use again was my pre-college, required, three years of a foreign language:  Latin.  However, later when I started globe-hopping, I found Latin was invaluable.  It gave me at least a cursory understanding of many other languages. Also, if I were completely lost and did not speak the local language, I would use some of the base elements of the way Latin was constructed to translate signs and other written advice.  The only place this didn't work was the Middle East. But that was trivial compared to the one incident which happened, in the fall of 1982.

I was in the Air Force, assigned in Frankfurt Germany, and had gone to the train station on a Friday afternoon to catch a train out for a weekend of camping.  I was standing in the ticket line with about 10 other folks impatiently waiting to purchase a ticket. There was only one ticket window open and the longer I stood there, the more I began to pay attention to what was going on with the one customer at the ticket window who seemed to be taking forever.

With all the noise around me, it took a minute for me to figure out the man was speaking to the ticket agent in one language while the ticket agent was demanding the conversation take place in German. I noticed the customer was wearing a long black coat and at one point when he turned, I saw a Catholic priest’s collar. I made the bold decision to thrust myself into this situation to try and help. Usually, when I was off base, I decided to stay out of other people's business, but this instance would not allow me to do so. No, I was not entirely selfless, I figured it would help me get out of the train station more quickly.

I went directly to the window and then tapped the priest on the shoulder.  Then I asked him in Latin if I could help. Now, my Latin -- even after years of taking it high school, was not great but it was functional. The priest's entire face lit up as he smiled and responded to me in Latin he was trying to buy a ticket but needed to trade in an unused ticket to have the full fare.  

  

I turned to the ticket agent who looked at me with a rather dour expression and using my best German, explained the problem as best I could.  The German then also smiled and responded to me, a little too quickly, what was needed to get the priest to where he wanted to go. After trading several phrases back and forth with the ticketing agent I finally understood what was necessary and then in the best broken Latin I could muster, I told priest the steps needed for him to get re-ticketed.  I continued to act as a translator between the two until the transaction was complete and then I walked the priest to the correct track so he could catch his train out.

He handed me his business card, but then flipped it over and handed me a pen motioning for me to give him my information - - which I did. This was before e-mail and cell phones so what I gave them was a mailing address to an APO. He took the card and waved energetically at me as he boarded the train, wishing me peace and prosperity-- at least I think that is what it was. Then, I went back to the ticketing window, got my ticket, and took off for a weekend camping in the mountains of southern Germany without giving it much more thought.

Several months later, just before Christmas, I received a Christmas card from the Punjab Province, India wishing me a Merry Christmas from the Archbishop of the diocese there. At the bottom of the card, was the handwritten phrase gratias ago vos pro succurro in meus iter itineris. Roughly translated: Thank you for your assistance on my travels. Who said Latin was a dead language?

Thank you Ms. Charlotte Naffin, my high school Latin teacher.  Apparently, I took from your class more than the memory of your beautiful blue eyes --. Yeah, aside from being a great teacher, she was young and kinda hot.

Quidquid Latine dictum sit, altum sonatur

163,330

New Customers Only/Existing Customers: Get Screwed

In Business 101 at the University of Maryland, one of the first rules covered was it is far easier and cheaper for a business to keep a customer rather than having to find a replacement or new customer. The concept seems somewhat common sense:  if you've already got a customer you need to do what you can to keep him, and you won't have to spend money find someone new. Therefore, I'm left to wonder what school the current crop of business leaders attended which failed to teach them this fundamental concept.

Since 2006, I have used DirecTV for satellite service. Except for one equipment upgrade a few years ago, I've been delighted with what they provided. Anytime I had an issue, question, or needed assistance they were all over it from the minute I dialed the phone. I admit being nervous when AT&T bought them out, but such things happen, and as long as I was getting the same level of service I would hang around. Then, almost a year after the buyout, the price for service was raised by about 35%.

After receiving the bill, I went to their website and looked around to see if I should just downgrade my package a bit to get my old price back, after all, sometimes prices go up. Then I noticed they were offering new customers the exact package I had subscribed been maintaining for the last 12 years, for the exact price I had been paying before the increase.  So, I called them up and told them if they wanted to keep me as a customer they needed to match the same deal they're willing to give a new customer. They balked and said the deal was for new customers only and there were no current discounts for which I was eligible. Having been through something similar with another company, I tried to call back later to see if I would get a better answer but I received the same response.

While considering my next move, I started to look at other alternatives which were available in the marketplace. I discovered if I added an attic antenna for local channels and a streaming service for things like Discovery and NatGeo I could match all of the channels I had previously been getting. Of course, I would need to raise my Internet speed to guarantee no lagging, but even so, I would save 50% over what I had been paying prior. The bottom line was rather than facing a 35% increase I was going to say 50% and maintain the same channel selection. Even with the minor upfront cost of the antenna and a few other odds and ends to make it all work; I came oput ahead very quickly.

I'm not sure if it was out of some misplaced sense of loyalty, or maybe just a bit of insanity, I decided to give DirecTV one more chance to make things right before I bought the necessary hardware and got on with the transition. When I called them back this time, I started by having them first look up how long I'd been a customer. I wanted the representative to be aware of how long I had been with them before we started discussing the actual problem. The answer remained the same, even though I added the logic there was no extra cost to them for me to maintain status quo since I already had all the equipment versus the costs of bringing in new customer online.  Rather than keeping a decade's old customer relationship, they chose to throw it away, and offer a better deal to an unknown prospective customer which will cost the company a few hundred dollars in equipment and setup costs. This way of doing business is completely abzocky -- or maybe they are having a flashback to when they were a monopoly and there were no alternatives.  If I was a stockholder, I would sell as this business model is not sustainable.

So, a month after cutting the cable. I have full DVR capability for both local channels and my streaming service which costs me zero and is only limited by my own available hard drive space. I am now using a fantastic piece of media management software called Plex which combines all of my available entertainment choices (music, video, streaming, photos, and more) in one easy to use interface. Plus it is costing me 50% less than what I was paying initially.

Last night, I made the mistake of answering a call before I looked at the Caller ID and I was confronted by a sales agent for DirecTV. Before I could say I wasn't interested, the agent launched into a spiel offering me a fantastic deal to come back into the fold.  Interestingly enough, the deal was still more than what they were offering a new customer. I hung up without saying a word.

These people genuinely don't understand the sustainability of a business is based on keeping customers, not continually recruiting new ones while kicking the old ones to the curb in such a way they will never return.

162,490

Then Came a Hero That Looked Like Me

As Ashley cut my hair, she started talking about how her own hair changed as she grew up, going from dark to the honey blonde color it is today.  It caused me to reflect on my experience with hair color which changed as I grew up.   At age 5, my earliest recollection of such things, my hair was light blonde and then turned to dirty blonde around 7th grade before eventually setting on a golden brown in 11th grade.

I recall being upset as I grew up because none of my heroes from TV looked like me:  Superman, Batman, Spiderman, the Green Hornet,  and Kato, Rowdy Yates, the guys on Time Tunnel, the GIs on Rat Patrol and Admiral Nelson on Voyage to the Bottom of the Sea. All of them had dark hair. In some cases (Batman) it might have been lighter but due to B&W TV, it all looked dark to me.  The only superhero of that age with blonde hair was Thor -- and I was not a fan.  

Then came The Man from U.N.C.L.E. In brief, the story was about two secret agents, one American and one Russian who worked for the United Network Command for Law and Enforcement and they had the mission to save the world on a weekly basis.  U.N.C.L.E.'s arch nemesis was THRUSH, Technological Hierarchy for the Removal of Undesirables and the Subjugation of Humanity.  The show focused on two agents, a dark-haired American, Napoleon Solo (Robert Vaughn), and a blonde Russian, Illya Kuryakin (David McCullum).  

Putting aside how bold it was to have an American and Russian working together during the middle of the Cold War, it was a turning point for me.  Kuryakin did cool things.  He was bold and saved the world -- he got the girl and didn't require a magic hammer to do it.  Most of all he was a hero I thought looked like me.

Every kid deserves to have a hero they think looks like them so they can identify with them some level. Therefore, it is essential a variety of people be seen as heroes.  By the way, it is not always about race -- it could be about something as simple as right vs. left-handedness, a specific physical characteristic or uniqueness, accent, faith or even something as simple as hair color.

When I was in college, I spoke to a CIA recruiter who visited campus.  They were looking for analysts -- since I wanted to be a secret agent, it never went any further.  Even though my career took me into technology, I can so with absolute certainty I was not part of THRUSH either.  But as I said, my hair turned darker as I grew up leaving me with many choices for how I could fight evil.

161,863

My Year In Live Music 2018, Act III: The Steve Miller Band with Peter Frampton – Rockin’ Me with a Little Blues Too

Whenever I provide a review or write up, it means that I have bought and paid for the item or admission costs myself.  In the rare instance when items or admission are being provided free of charge or at a discount, I say so.  This site is non-monetized therefore the opinions presented are truly free of influence.

This concert was very different, in that the tickets were provided to me as a result of my being a veteran and by someone other than the act being reviewed.  Therefore, I will explain a little bit about Vet Tix before I talk about the concert itself.

Vet Tix

Vet Tix provides tickets to events which reduce stress, strengthen family bonds, build life-long memories and encourage service members and veterans to stay engaged with local communities and American life. We support our troops by honoring their service and providing positive family and life experiences, during and after their years of service to our country.

There are too many details as to how all this works to get into here, but if you are a veteran, I would recommend you check it out and sign up.    Short version:  They go out and seek donations (and ask that you help), they have a fair way to make sure every Veteran gets a chance at what tickets are available and the manage the administration of the distribution of the tickets very well.

As a Cold War Veteran, it is nice to be included in this recognition, especially since (even though we won) we got no parades, medals, or veteran’s hiring preference.

Peter Frampton

I'm not entirely sure if you would if the performer listed as "with" on a concert poster is considered an opening act or not. But in my mind, if they are the first ones to appear on stage, they are indeed the opening act. I almost saw Peter Frampton two years ago when he was touring with Lynyrd Skynyrd. However, it was the year Skynyrd canceled and rather than attending a concert with just Peter Frampton, I opted to return my tickets. Frampton did the show anyway and I heard he put on an excellent performance and even did covers of several Skynyrd tunes.

Having seen a lot of groups from the 70s and 80s, I've come to except some slight degradations of talents and skills, but I have a feeling the show Frampton put on at this concert was very close to what I would've seen from him in the 70s.

He opened the show with Something's Happening and then immediately moved on to Lying.  It was evident he was having a good time; his face was an expression of pure joy as he performed. His voice was excellent and is playing matched it as well. The temperature in the pavilion was over 90°, and it played against him getting the crowd fired up – – but he wiped the sweat off his face and kept playing to an appreciative audience and brought us all to point when we were ready to rock.

Of course, he played all my favorites:  Lines on My Face, Show Me the Way, Baby, I Love Your Way,  and Do You Feel Like We Do. The tunes brought back great memories and took me back to when I first heard the Frampton Comes Alive album. Frampton indeed came alive and gave one of the best live performances I've ever seen. He is indeed a master, and he enjoys giving the crowd exactly what they want.

Steve Miller Band

Seeing a band perform or than once live, can sometimes be disappointing because you tend to compare one performance to the other. Also, having heard a set list once you really want to listen to it again? If the act is the Steve Miller Band, the answer is Yes you want to hear the setlist again – – every song is a winner. But even with the setlist being the same, they are not identical and Steve the band makes every performance unique, so it is impossible to simply compare two different concerts.

I won't bore you with a list of the tunes he played which I liked, take a look at the song list on their greatest hits album and you know what I heard.

One part of the concert I considered unique, in addition to at least three dynamite solo performances

by Joseph Wooten on keyboards, was a brief lesson Steve Miller gave about the triangle evolution of the blues. His theory was as the performers moved, the blues evolved-- forming a triangle from Mississippi Delta to Chicago (along with Detroit) and finally Texas. Having heard great blues from all those places and following his logic of the way employment drew the performers – – I agree with him. 

After the lesson, Peter Frampton came out, and the two of them performed a Freddie King cover of Same Old Blues which was awesome and only outdone by their duet on an Elmore James tune, Stranger Blues.  I like Steve Miller for the SMB music I have come to love, and I like Peter Frampton for his mouth guitar music and dynamite guitar solos. But now having heard the two of them play the blues together, I want to know when they're going to release a blues album together.

My favorite two songs tonight were The Joker and Fly Like an Eagle. Both songs allowed for featured solos from various members of the band but also took me on a mental journey back to the first time I heard each. The magic of music is when it is at its best when it can take you on an emotional and spiritual journey every single time you listen to it.

The night ended with a two-song encore: Jungle Love and Jet Airliner, which both featured great solos and were a great way to end the night.

The Steve Miller Band will always be one of my favorites, and I will try to see them every time they come to town, but now I have to add Peter Frampton to the list of bands I'm willing to see more than once because once is just not enough. 

160,834

My Year In Live Music 2018, Act II: Paul Simon -- Tell Me That Crazy Story One Last Time

Preface:

In the late 70s, Ann Waggoner, my high school the guitar teacher, selected a grouping of Paul Simon composed music to be presented at the annual spring concert.  That bit of chance caused me to learn how to play half a dozen or so songs made famous by Simon & Garfunkel. These were older songs, but Paul Simon had recently started his second career as a solo act, releasing his Still Crazy After All These Years album (and making a lot of appearances on Saturday Night Live).  Songs from that period served to provide the soundtrack for the last of my high school years as well as my time in college and a few years beyond. 

As time went by, Simon's music changed as he welcomed other musical influences into what he was composing affecting the types of songs and rhythms he produced. It was somewhere between the albums Graceland and The Rhythm of The Saints that Paul and I parted ways. My admiration for him was more as a songwriter than a performer, and I didn't relate to the newer music the same way. It was an amicable breakup because his songs remain a significant part of the soundtrack of my life.  He was and is a great storyteller.

Recently, when he announced his farewell tour, Homeward Bound, my attendance became a must. However, three minutes after tickets went on sale I was utterly heartbroken when I went online to find the better tickets were entirely gone. What upset me wasn’t their prior sale but those choice tickets were already back online for sale at three times the face value. So much for Ticketmaster's goal of making sure fans and not scalpers got a fair shot at tickets. Pissed off, I gave up and closed my laptop after typing up a blistering review of the ticket selling process. A few days later I was contacted by someone who had read what I wrote offering to sell me her tickets for the now all but sold out show.  She wasn’t going to be able to attend and offered me her tickets at the face price – fan to fan. I quickly obliged with much gratitude.

Homeward Bound, The Farewell Tour

This was my first concert of the 2018 season at DTE Energy Music Theatre.  I didn’t notice any massive changes to any of the facilities inside the venue, but this is also the largest crowd I’ve ever been part of at the facility. 15,000 seats is a lot of people.  I didn’t have the best seats, or actually any seat, as the tickets were for the hilltop and not under the pavilion. The hill is not a bad place to see a concert there is generally more room than in the pavilion seats, on the hotter evening’s there’s a cool breeze, and once you get beyond the first 50 or 60 rows, you are watching the big screens and not the stage anyway. I placed my chairs on the last strip of grass the concrete walkway, but before the concert, there were three more rows of folks behind me.  It was a full house.

There was no opening act, but there was no need for one. The crowd was ready to listen, Paul was prepared to play, and the band was tight and ready to be heard. He started with America putting the audience on notice that his voice was better than ever and he was there to give a memorable show. He moved on to 50 Ways to Leave Your Lover.  Realistically, both songs could be seen as a low-key way to open a show, but then this was a Paul Simon show, so they were perfect choices.

Paul shifted gears and decades performing The Boy in the Bubble, Dazzling Blue, and That Was Your Mother.  I admit I was unfamiliar with all three songs but found them enjoyable. He played Rewrite next, and in it, as an author, I found some new music and a story I could easily love.

The rhythms picked up as he gave great performances of both Mother and Child Reunion and Me and Julio Down by the Schoolyard.  I said before that I thought his voice sounded as strong as ever, and indeed it did throughout the show. He, like many other performers who are getting up in years, has started to morph some of the ways he sings to ensure he does not come off sounding bad.

His song Rene and Georgette Magritte With Their Dog After the War has to have the most unusual title of any, having stolen it from a photograph.  While still in the smaller tableau of musicians, he sang a semi-reggae version of Bridge Over Troubled Water which he said was the first time he had performed the song during the tour.  

I’d heard the story behind Wristband before hearing him perform it live.  Love the story behind the song, I can only imagine what the bouncer feels like being immortalized for having locked the star out of his own concert for lack of a wristband (my man). 

The next four songs were more titles I was not familiar with, having been featured on albums I’d never heard. I really don’t think it’s a bad thing to walk into a concert and not know all the music, it gave me a chance to discover something new some of which I liked some of which I didn’t.  

It was somewhere in here Paul took a moment to talk about Dr. E.O. Wilson, his foundation, and book Half Earth.   He spent all of 30 seconds and suggested people check out the book and its author. As activist statements during the middle of performances become more the norm, I am glad Paul was classy, civilized, and professional enough to keep it minimal and nonconfrontational.  

Paul moved back into more familiar music with the performance of You Can Call Me Al and Graceland.  Many of his songs are favorites but the next two he performed, Still Crazy After All These Years and Late in the Evening, are both part of my life’s soundtrack that accent treasured memories. There can be nothing more satisfying than hearing music like that live for the first time.

The first song of the encore was Homeward Bound, one that any former military member who has deployed can appreciate.  From there he moved on to the only song I’m aware of which is also a trademark for a consumer product: Kodachrome.  The Boxer, American Tune and The Sound of Silence rounded out the rest of the encore for what was one of the best concerts I’ve ever been to.

Paul had stated publicly he had mixed emotions about doing his final tour when he was still giving great performances. Having recently retired myself, I understand the feeling. Even though this may be the last live performance we see from the man, I think we will continue to hear new music from him for years to come. I hope so. If this tour comes to your city. GO!

PostScript

In the mid-80s, and I was deployed to Egypt working in cargo and passenger operations for the Air Force. Late one night I was sitting out on the flightline with a friend of mine waiting for cargo to be brought out so we could load a plane. I’m still unsure of why, but both of us had our guitars in the government vehicle, and when the loading operation was delayed, rather than going back into the ready area we remained at the darkened aircraft and took advantage of the time.

Taking out our guitars, we sat on the end of the cargo deck of a C141 and started playing songs we usually performed when together. The overall feeling eerie, because most of the lights on the flightline were off for security reasons and with nothing going on, it was very still and quiet. After playing a bit, I asked my friend to teach me to play the instrumental opening to the song Homeward Bound, which I had heard him play before. After we practiced it several times together, he let me take the lead, and after I played those opening notes, we continued to play the rest, singing it in two-part harmony. It was a total blues moment feeling the pain of being away and wishing you were headed home.

When we finished the song and the last note was still ringing -- the silence was broken by the sound of one-person clapping from down the flightline. It was quickly joined by several others and then a few cheers. Even though the flightline was empty of activity, there were still many Security Forces troops out there with us – sitting in the dark and feeling the melancholy of the song. It’s a memory I will always carry with me – – one which was possible only because of the master storyteller and songwriter Paul Simon.

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